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supported by 50 fans who also own “Fragrance (6 June 2023)”
Despite the length and variety offered by this release, a few general techniques or patterns are present throughout. Most notable is the interaction between Thomas and Wright, with the former playing in his signature dense and percussive style while the latter provides bursts of gritty notes on the alto. Wright’s wailing is an unconventional counterpoint to Thomas’s classicism. https://avantmusicnews.com/2024/04/06/amn-reviews-%d8%a3%d8%ad%d9%85%d8%af-ahmed-giant-beauty-2024-bandcamp/
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Duo in Concert
by Derek Bailey & Paul Motian
supported by 34 fans who also own “Fragrance (6 June 2023)”
The uncertainty of the next moment and the perfect choice of expression, intensity and tension. This record is not only of historical value, it is the equivalent of seeing a phenomenon that has never been seen before. A fundamental thing.
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The avant-pop of Griffin Brown works elements of free jazz and experimental electronic music into its tapestry of sound.
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Cataclysmic System Binding Loss
by Carbon In Prose
Shards of static & distortion crash against disarmingly beautiful piano & synth melodies on this riveting new record from Carbon and Prose.
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Telepathic Music Vol. 1
by The Evolution of the Arm
True to their “Twin Peaks”-inspired name, Evolution of the Arm make avant-garde music that’s irresistibly creepy.
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Piece for Cello and Saxophone
by Terry Jennings
supported by 32 fans who also own “Fragrance (6 June 2023)”
Absolutely love this recording. I listen to it at work. I listen to it in the car on the way home from work. I listen to it while falling asleep. Curtis’ cello is so amazing. Just got the vinyl in the mail from Discogs the other day! Can’t wait to play on my hi-fi system!
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